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I like to admire and photograph landscapes as much as the next guy, but I've always been especially drawn to "bioscapes" -- the intimate details of nature. I want to see indigo anthers that haven't fully opened up yet, and others that have exploded with orange pollen grains. I only wish I could render even greater detail, and one of these days I'm going to buy a stereo microscope so I can do just that.
When you start with a landscape, you might pick out individual trees, a river, a wildflower meadow, a section of cliff face, or the peak of a mountain. The bioscape is where you get to the level that isn't available to your unaided eyes. It's like peering into a realm of fantasy, except it's even better because it's real. Somehow -- and no one knows how -- this universe that got its start billions of years ago contained within its initial conditions the ability of atomic elements to organize themselves into living creatures. The intricacy of life is literally mind-boggling, and when I'm doing close-up photography I'm giving my imagination free rein to roam in those intricate worlds.
Come to think of it, it was staring at anthers and trichomes and other botanical fare through dissection microscopes in a botany class in college that first sparked my interest in close-up photography. One day I was out doing nature photography and was awed by the beauty of a species of monkey flower with wildly colorful nectar guides. To better appreciate them I dissected a flower, then set a sheet of glass over the parts to make them lie flat enough to be photographed (this was long before the days of digital photography and focus stacking).
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| Mimulus cardinalis |
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